Rachel Withers
t was just after ten on a rainy May night in 1886, B. Le Plant of Earl Park
Indiana. was leaning in a doorway in Chicago’s Haymarket*, eating peanuts
surveying the couple of hundred stragglers still lingering after the evening’s
protest meeting, and thinking about making tracks. Sam Fielden. the well-known
anarchist, was still sounding off, but Le Plant’s attention was wavering.
‘There is something radically wrong in the existing order of things!... A
few individuals control the means of living, and hold the working man in
a vice... He that has to obey the will of another is a slave... The law is
only framed for those who are your enslavers! Lay hands on it and throttle
it till it makes its last kick!” Yeah, yeah, thought Le Plant, scrabbling
in his paper packet for the last remaining nuts. Not that he didn’t agree
— nobody was more for the eight-hour day than B. Le Plant! — but he’d heard
Fielden on much better form than this.
Then another sound caught Le Plant’s ear. Leather soles slapping paving stones.
Chicago Police Boots — and lots of them. Goddamn Inspector Bonfield and his
bloodhounds! Time to split. and quick thought Le Plant. He straightened up,
lifted the last nut to his lips, and saw something whirl through the air.
A second later, Le Plant’s eardrums nearly burst. Light flared. smoke stung
his eyes, glass shards sprayed over him. Something pounded into his leg —
he fell. Another bullet seared his shoulder. A policeman’s boot thumped his
ribs. Screams, howls, a pistol shots ripped the air, giving way to moans
and sobs. Unable to move, his head twisted crazily sideways in a pool of
blood and broken glass. B. Le Plant solemnly contemplated the paper bag still
clutched in his hand, the peanut. shells strewn across the sidewalk.
B. Le Plant lived to tell the tale of the Haymarket bombing, peanuts and
all, but an unknown number of fellow protesters, maybe eight or nine, weren’t
so lucky. Dozens were injured. The explosion killed just one policeman: a
further six were shot to death — by their colleagues. Firing wildly, hell-bent
on scrying down civilians, the police ended up discharging their weapons
into each other. But what had precipitated the carnage? What did the bomb
mean? For the fraction of a second it spun in the air, the bomb was an empty
signifier, waiting to be invested with meaning, read, fixed, comprehend.
The moment it hit the pavement, the inscription of significance began.
For many, the message was plain. The bomb spelt ‘Anarchy’- a vile assault
on Good Government, Fireside Safety and the Supremacy of the Law. Egged on
by the right-wing press, the police eagerly rounded up eight anarchist leaders
and activists, including Fielden. The bomb then became the pretext for the
staggeringly unfair trial, in which twelve biased jurors and a bigoted judge
played fast and loose with the law and condemned all the accused. For Cesare
Lombroso, notorious ‘expert’ on physiognomy, the bomb served as a distorting
lens, tainting the Chicago Anarchists’ faces with criminal traits — cranial
deformities, skin discolouration, anomalous ears and noses. Anarchists were
priori ‘traitors’, ‘godless foreigners’, ‘organised assassins’, ‘rats to
be driven back in their holes’; the bomb’s very existence was enough to prove
their guilt.
To others the bomb hissed ‘Conspiracy’. Rumours abounded: that Capital was
responsible, that the industrialists themselves have commissioned it. That
it was down to Pinkerton, doing the police’s dirty work. That it was a wild
act of revenge by a lone operator, some victim of previous police violence.
For anarchism’s supporters, the bomb proclaimed ‘Freedom!’. The state had
attacked the basic rights of free speech and free assembly, and anarchy had
replied. The bomb was legally justified and tactically excellent, thundered
and prominent U.S. anarchist Johann Most. Defendants August Spies and George
Engal agreed, labelling the bomb a lifesaver: it had derailed the systematic
killing spree planned by the police. Albert Parsons, also accused, initially
evaded arrest, but for him the bomb grew to represent an opportunity — the
trial offered anarchist ideas a public platform. He gave himself up. was
found guilty, and spoke to the court for over six hours. Anarchists are people
who know their rights and dare to maintain them!” boasted the condemned men.
Tragic defiance: four of the accused, including Parsons. were hanged. One
had already killed himself. The others, including Fielden, were jailed for
life.
Seven years later, Illinios’ newly-elected Democrat Governor, John Peter
Atgeld, intervened. Decrying the disgraceful trial, Atgeld freed and exonerated
its victims, and the orphan bomb, whose author remains unknown, was glossed
with another, deeply ironic, layer of meaning: a means for demonstrating
the ultimate impartiality, benignity and rectitude of Democratic Justice.

Childhood’s End, (production still) 2000
Digital video still from two-screen video installation duration 6 minutes 9 seconds
Collection of Wolverhampton Art Gallery, England